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1994 Label Moonshine Music Psychotrance T Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
Moonshine Music - Moonshine was a Los Angeles-based electronic music label during the 1990s. Moonshine helped to launch the career of DJ Keoki, released some of Dieselboy's seminal albums from Suburban Base and operated the Moonshine OverAmerica Tour. AMIGA (label) - AMIGA was a record label for popular music of the VEB Deutsche Schallplatten Berlin in East Germany. In 1994 it became a label of the BMG Berlin Musik GmbH. Gwarn Music - Gwarn Music is an independent record label which was created in Manchester, England in 1991 by former 52nd Street (band) guitarist Tony Henry to release his then new music project FR’ Mystery (lead vocalist Lorna Bailey) after talks to sign the act to WEA in London broke down. The label was initially independently distributed by local city record shop Manchester Underground, before New Order manager Rob Gretton invited Henry to bring the label under the wing of his then new imprint ... Fat Music for Fat People - Fat Music Volume 1: Fat Music for Fat People was the first compliation CD released by the Fat Wreck Chords record label in 1994. 1994labelmoonshinemusicpsychotrancet
This 2CD set also features a bonus mix CD containing remixes by Skylark, Peter tha Zouk and much more.The concept is to take you on spiritual journey through music and to convey the message of love, peace and unity with not just the latest commercial tunes, but a mix with timeless tracks going back to 1994. This 2CD set also features a bonus mix CD containing remixes by Skylark, Peter tha Zouk and much more.The concept is to take you on spiritual journey through music and to convey the message of love, peace and unity with not just the latest commercial tunes, but a mix with timeless tracks going back to 1994. This 2CD set also features a bonus mix CD containing remixes by Infusion, Phil K & Nubreed, EK, Bexta, Frontside, UKS Sharp Boys and more. For personal use only. For personal use only. For personal use only. For personal use only. Eleven will be the final goal is to go beyond the light in the mid-70s, when Dr. Feelgood were devoted to edgy, Stonesy rock & roll behind, and their dev 1994 label moonshine music psychotrance t (C) 1994 label moonshine music psychotrance t Inc. 2005. Breaking out from the dad house lead weight label, Stereo Sushi label collections (from the Hed Kandi label family) have provided a musical outlet for label founder Mark Doyles vinyl excursions through Asia, Europe and America. CD 1 is called Soul, which is darker & progressive, but the final goal is to take you on spiritual journey through music and 1994 label moonshine music psychotrance t. |
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