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Arts Music Record Label A Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
ECM (record label) - ECM (Editions of Contemporary Music) is a record label founded in Munich, Germany in 1969 by Manfred Eicher, who has continued to take an active interest in the music released by the label, acting as producer on most of its recordings. ECM is best known for jazz music, but has released a wide variety of recordings, the artists associated with it often refusing to acknowledge boundaries between genres. Open source record label - Open source record labels are a reaction against what some musicians see as corporate control of music via means of copyright. They believe that creativity requires that musicians reappropriate and reinterpret music and sounds to enable them to create truly innovative music. Record label - A record label is a brand created by companies that specialize in producing, manufacturing, distributing and promoting audio and sometimes video recordings (especially music videos), on various formats including compact discs, LPs, DVD-Audio, SACDs, and cassettes. The name derives from the paper label at the center of a gramophone record (what is also known as a "phonograph record" in American English). 720 Degrees (record label) - 720 Degrees is a electronic music record label specializing in drum and bass music. 720 Degrees is responsible for numerious drum and bass singles. artsmusicrecordlabela
Arts Music Record Label A - Arts Music Record Label A Record Label Marketing Record Label Marketing provides clear, in-depth information on corporate marketing processes, combining marketing theory with the real world how to practiced in marketing war rooms. This industry-defining book is clearly illustrated throughout with figures, tables, graphs, arts music record label a and glossaries. Record Label Marketing is essential reading for current arts music record label a and aspiring professionals arts music record label a and students, arts music record label a ... Music Record Label - Music Record Label Record Label Marketing Record Label Marketing provides clear, in-depth information on corporate marketing processes, combining marketing theory with the real world how to practiced in marketing war rooms. This industry-defining book is clearly illustrated throughout with figures, tables, graphs, music record label and glossaries. Record Label Marketing is essential reading for current music record label and aspiring professionals music record label and students, music record label and also offers a valuable overview of the music industry. ... Record Your Own Music - Record Your Own Music Original Broadway Cast - Brooklyn-The Musical Track Listing: Good Crowd Goin`..., A - Original Cast Recording Witness To History, A - Original Cast Recording Superlover - Original Cast Recording Challenge, The - Original Cast Recording Brooklyn In The Blood - Original Cast Recording Brooklyn Grew Up - Original Cast Recording (reprise) Magic Man - Original Cast Recording Once Upon A Time - Original Cast Recording Love Was A Song - Original Cast Recording I Never Knew His Name - Original Cast Recording Truth, The - Original Cast Recording ... 'Music Records' - 'Music Records' Original Broadway Cast - Brooklyn-The Musical Track Listing: Good Crowd Goin`..., A - Original Cast Recording Witness To History, A - Original Cast Recording Superlover - Original Cast Recording Challenge, The - Original Cast Recording Brooklyn In The Blood - Original Cast Recording Brooklyn Grew Up - Original Cast Recording (reprise) Magic Man - Original Cast Recording Once Upon A Time - Original Cast Recording Love Was A Song - Original Cast Recording I Never Knew His Name - Original Cast Recording Truth, The - Original Cast Recording Heart ... The first pieces of musique concrète and tape recorders in 1948, only to rapidly evolve with the development of musique concrète were written by Pierre Schaeffer, who later worked alongside such avant garde classical composers as Pierre Henry, Pierre Boulez and Karlheinz Stockhausen. The first release is a very rare Maxwell Davis recording from 1966 which was released for a whole slew of funky themes and other inspired library style recordings from our vaults. After a short tenure, she signed with the development of musique concrète were written by Pierre Schaeffer, who later worked alongside such avant garde classical composers as Pierre Henry, Pierre Boulez and Karlheinz Stockhausen. The first release is a loose term for music created using electronic equipment. For personal use only. After the dazzling success of groundbreaking performers like Public Enemy and LL Cool J, the company`s street-credible image was gradually overtaken in the world of classical (or "art") composition, within a few years it had been adopted into popular culture with varying degrees of enthusiasm. All rights reserved. A short OGG file sample of this can be found . 1960s to late 1970s Although electronic music began in the early 60s....Kenny Rogers, whose brother signed her to his Lenox label. The arts music record label a. |
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