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Country Music Label Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
Crazy Music - Crazy Music is an affiliate Austrian company of Bamacher Video & Music Production, Bamacher Musikverlag and Management, a subsidiary of Bamacher Corporation, was founded by Kurt Bamacher in February 1990. Initially only a record company, Crazy Music soon evolved into an international music distribution, a music publishing house in various genres and the largest independent Country Music label of Austria. Telarc International Corporation - Telarc International Corporation is a Cleveland, Ohio based independent record label, founded in 1977 by two classically trained musicians and former teachers, Jack Renner and Robert Woods. Originally a classical music-only label, the label has since released music from other styles of music including jazz, blues, & country music. Palo Duro Records - Palo Duro Records is an independent record label established in 2001 to focus primarily on Texas-based singer/songwriters and bands. The label specializes in musical styles from the Americana, country music, alternative country and Texas music genres. Country music - Country music, also called country and western music or country-western, is an amalgam of popular musical forms developed in the Southern United States, with roots in traditional folk music, Celtic Music, Blues, Gospel music, and Old-time music. countrymusiclabel
Country Music Record Label - Country Music Record Label DILLARDS - LET THE MUSIC FLOW: THE BEST OF THE DILLARDS 1963-79 OLD HOME PLACE THERE IS A TIME LAST THING ON MY MIND NOBODY KNOWS HEY BOYS IVE JUST SEEN A FACE REASON TO BELIEVE LISTEN TO THE SOUND SHE SANG HYMNS OUT OF TUNE SINGLE SADDLE COPPERFIELDS CLOSE THE DOOR LIGHTLY BROTHER JOHN OLD MAN AT THE MILL EBO WALKER WEST MONTANA HANNA ONE TOO MANY MORNINGS FIELDS HAVE TURNED BROWN BIG BAYOU REDBONE HOUND ... Country Music Record - Country Music Record STARR, KAY - JUST PLAIN COUNTRY//TEARS & HEARTACHES OLD RECORDS [IMPORT] PINS & NEEDLES (IN MY HEART)CRAZYFOUR WALLSMY LAST DATE WITH YOUBLUES STAY AWAY FROM MEWALK ON BYOH, LONESOME MEI CANT HELP IT (IF IM STILL IN LOVE WITH YOU)I REALLY DONT WANT TO KNOWSINGING THE BLUESDONT WORRYTEARS & HEARTACHESTALK, TALK, TALKI WAITED A LITTLE TOO LONGNEVER DREAMED I COULD LOVE SOMEONE NEWMAKE THE WORLD GO AWAYFLOWERS ON THE WALLOLD RECORDSI DONT CARE (JUST AS LONG AS YOU LOVE ... Music Record Label - Music Record Label Record Label Marketing Record Label Marketing provides clear, in-depth information on corporate marketing processes, combining marketing theory with the real world how to practiced in marketing war rooms. This industry-defining book is clearly illustrated throughout with figures, tables, graphs, music record label and glossaries. Record Label Marketing is essential reading for current music record label and aspiring professionals music record label and students, music record label and also offers a valuable overview of the music industry. ... Academy of Country Music - Academy of Country Music Academy Of Country Music' Academy Of Country Music' Charles A. Platt, the Artist as Architect by Keith Morgan, It was once common to discuss the work of Charles Platt (1861-1933) alongside that of McKim, Mead & White, but by the time of his death, Platt's name had already fallen out of favor under the influence of modern movement critics.This long-overdue reevaluation of Platt's career shows that in the first decade of this century, ... In 1967, Radio-Canada released The Centennial Collection of Canadian Folk Songs (much of which was focused on French-Canadian music), which helped launch a revival of Quebecois folk. country music label (C) country music label Inc. 2005. Coverage includes: 7 The whole history of the blues, from its antecedents in African and American types of music to the likes of Derrick Carter and Sneak. Soon, Newfoundland Cape Breton Island and other Eastern locations were hotbeds of musical innovation. The Canadian Broadcasting Corporation has long been recording Inuit music, , beginning with a station in Iqaluit in 1961. The Rankins, Mary Jane Lamond, Natalie MacMaster, Barra MacNeils and, especially, punk rock-inspired Ashley MacIsaac brough Cape Breton Island and other forms of music. Music was dance-oriented and requested luck in hunting, gambling or weather, and only rarely, if ever, expressing traditional purposes like love or specialized forms like work songs and lullabies. As Quebecois folk continued to gain in popularity, artists like Figgy Duff and Stan Rogers inspired a revival of Quebecois folk. country music label (C) country music label Inc. 2005. FIND A WAY (SNEAK REMIX) FUDGE A CUP OF COFFEE NO FUTURE IN YOUR FRONTIN JUST BOUNCE 2 THIS IM NO GOOD HALLUCINATOR GO! For personal use only. In 1967, Radio-Canada released The Centennial Collection of Canadian Folk Songs (much of which was focused on French-Canadian music), which helped launch a revival of Quebecois folk. country music label (C) country music label Inc. 2005. Coverage includes: 7 country music label. |
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