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Critics the world over have often loudly lamented that the movie musical is a dead art form. However, while it is true that the musical no longer occupies the cherished place of prominence in American cinema that it once did, the old razzle-dazzle has had a comeback. Author and film expert John Kenneth Muir faces the music in Singing a New Tune, a rollicking study that traces the rebirth of the film musical from the dark days of the early 1990s - when all the musical numbers were cut from the film I'll Do Anything due to preview audience hostility - to the current heyday of Moulin Rouge, Chicago (Academy Award winner for Best Picture 2002), and Andrew Lloyd Webber's The Phantom of the Opera. Examining over a dozen musical films from the last decade, Muir explains how first-class artists have marshaled everything from spectacle (Evita) to humor (South Park: Bigger, Longer and Uncut); tragedy (Dancer in the Dark) to Shakespeare (Love's Labour's Lost); and even psychology and sexuality.

Film makers have always been fascinated by opera. Long before the birth of the talkies, pioneers were trying to make sound films of operatic arias. Cecil B. De Mille's 1915 Carmen, starring the reigning queen of the Met, Geraldine Farrar, made his name and turned her into one of the silver screen's earliest stars. This fascinating study of opera within the history of cinema, charts the great film makers's obsession with this most glamorous medium and its stars, from Cecil B. DeMille to Pavarotti. Readers will learn how film makers have sought to popularize opera on the screen through presenting complete operas, operettas and operatic arias, and made opera's stars like Caruso, Chaliapin, Gigli, Tauber and Pavarotti into film stars. Opera films made for television complete the picture, as Opera on Film demonstrates the hitherto unrecognized importance of opera in cinema history and recounts some of the explosive incidents that occur when diva meets director.

Blue Skies (film) - Blue Skies Paramount is a 1946 Hollywood musical comedy film starring Fred Astaire, Bing Crosby, Joan Caulfield, Olga San Juan and Billy De Wolfe, with music, lyrics and story by Irving Berlin. The film was directed by Stuart Heisler and produced by Sol C.

Harlequin (film) - Harlequin is a 1980 Australian film starring Robert Powell, Carmen Duncan, David Hemmings and Broderick Crawford. The screenplay is by Everett De Roche, the music by Brian May and the film is directed by Simon Wincer.

Frank De Vol - Frank De Vol (September 20, 1911 - October 27, 1999) was an American composer of film and television music.

Music From the Film More - Music from the Film More (often referred to simply as More) is Pink Floyd's first full-length film soundtrack. The album actually comprises re-recordings of music used in the film, often in very different form.

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Film Music - Film Music Music From the Film More - Music from the Film More (often referred to simply as More) is Pink Floyd's first full-length film soundtrack. The album actually comprises re-recordings of music used in the film, often in very different form. Exit Music (For a Film) - Exit Music (For a Film) is a song by Radiohead, written specifically for the ending credits of the 1996 film Romeo + Juliet. Although not included in the soundtrack at the request of ...

Film Music Composer - Film Music Composer Film Music Sumptuously presented film music composer and lavishly illustrated with film stills, scores, storyboards, film music composer and scripts, FILM MUSIC presents a series of instructive profiles of 13 noted film composers. Starting with an absorbing study of the legendary Bernard Herrmann (whose talents were such that director Orson Welles cut his movies around Herrmann's film scores rather than vice versa), Mark Russell illuminates the film composer's craft from conception to completion. Other film scoring ...

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