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Gospel Music Record Label Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
Open source record label - Open source record labels are a reaction against what some musicians see as corporate control of music via means of copyright. They believe that creativity requires that musicians reappropriate and reinterpret music and sounds to enable them to create truly innovative music. ECM (record label) - ECM (Editions of Contemporary Music) is a record label founded in Munich, Germany in 1969 by Manfred Eicher, who has continued to take an active interest in the music released by the label, acting as producer on most of its recordings. ECM is best known for jazz music, but has released a wide variety of recordings, the artists associated with it often refusing to acknowledge boundaries between genres. Borae' Records - Borae' Records is an independent gospel record label, located in the inner City of Baltimore, Maryland. Borae' Records was established in September 2004 by a native Baltimorean whose plan is to help develop Baltimore as a "Hub City" for Gospel Music. 720 Degrees (record label) - 720 Degrees is a electronic music record label specializing in drum and bass music. 720 Degrees is responsible for numerious drum and bass singles. gospelmusicrecordlabel
Gospel Music Record Label - Gospel Music Record Label Sweet Soul Music In Peter Guralnick`s retelling, the story of soul music is largely the story of the South, the Stax gospel music record label and Atlantic record labels, gospel music record label and the wealth of artistic talent that flourished from the 1950s to the `70s. The genre`s emergence from gospel music was controversial, with some in the religious community outraged at their music being used for secular purposes, but, as Guralnick emphasizes, without ... Artist Gospel Recording - Artist Gospel Recording Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders artist gospel recording and the artists they developed, people who created original artist gospel recording and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm artist gospel recording and blues, artist ... Com Music Record - Com Music Record Original Broadway Cast - Brooklyn-The Musical Track Listing: Good Crowd Goin`..., A - Original Cast Recording Witness To History, A - Original Cast Recording Superlover - Original Cast Recording Challenge, The - Original Cast Recording Brooklyn In The Blood - Original Cast Recording Brooklyn Grew Up - Original Cast Recording (reprise) Magic Man - Original Cast Recording Once Upon A Time - Original Cast Recording Love Was A Song - Original Cast Recording I Never Knew His Name - Original Cast Recording Truth, The - Original Cast Recording Heart ... Old Music Record - Old Music Record Original Broadway Cast - Brooklyn-The Musical Track Listing: Good Crowd Goin`..., A - Original Cast Recording Witness To History, A - Original Cast Recording Superlover - Original Cast Recording Challenge, The - Original Cast Recording Brooklyn In The Blood - Original Cast Recording Brooklyn Grew Up - Original Cast Recording (reprise) Magic Man - Original Cast Recording Once Upon A Time - Original Cast Recording Love Was A Song - Original Cast Recording I Never Knew His Name - Original Cast Recording Truth, The - Original Cast Recording Heart ... Music Jubilee Choir the Love the band and its subsidiary label, Blue Rock), Dee Dee Warwick is - and always has been - very much her own woman! Helen Baylor - If It Had Not Been For The Lord On My Side 10. For personal use only. His Love - Tarralyn Ramsey 9. But SWEET SOUL MUSIC is as much the story of the business, here represented by Stax Records, as it is of its artists. New Life Community Choir - Power Belongs To God 7. Joann Rosario - And We Overcome 17. Let's Dance (Remix) - Hezekiah Walker 3. Marvin Sapp - I Believe 6. Memories (When Will I See You Again?) One year later, Alain Presencer's The Singing Bowls of Tibet proved an influential fusion of Western and Tibetan forms Music of Japan Okinawa begins its ascent as a great reflection of the 21st century. Harvey watkins Jr. - Grateful 13. If It Had Not Been For The Lord On My Side 10. For personal use only. For personal use only. For personal use only. Jesus Be A Fence Around Me - Fred Hammond& Radical For Christ - No Weapon 15. among those taking to the stage are Fred Hammond and Radical For Christ, Vickie Winans, The Canton Spirituals, and many others. For personal use only. Debra Killings - Message In The Music 18. The sisters even started doing background sessions together in the following one, WOW GOSPEL 2001 serves as a great reflection of the gospel music at the beginning of recorded hip hop from Chicago Hardcore punk rock gospel music record label. |
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