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Music Label Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
Gwarn Music - Gwarn Music is an independent record label which was created in Manchester, England in 1991 by former 52nd Street (band) guitarist Tony Henry to release his then new music project FR’ Mystery (lead vocalist Lorna Bailey) after talks to sign the act to WEA in London broke down. The label was initially independently distributed by local city record shop Manchester Underground, before New Order manager Rob Gretton invited Henry to bring the label under the wing of his then new imprint ... ECM (record label) - ECM (Editions of Contemporary Music) is a record label founded in Munich, Germany in 1969 by Manfred Eicher, who has continued to take an active interest in the music released by the label, acting as producer on most of its recordings. ECM is best known for jazz music, but has released a wide variety of recordings, the artists associated with it often refusing to acknowledge boundaries between genres. DIY cassette label - DIY cassette labels were fiercely independent recorded music labels that chiefly released music on cassettes as a cheap and easy way to distribute their product. They were very much reacting to the prevalent big label mentality and often featured difficult and challenging music (but by no means exclusively). Open source record label - Open source record labels are a reaction against what some musicians see as corporate control of music via means of copyright. They believe that creativity requires that musicians reappropriate and reinterpret music and sounds to enable them to create truly innovative music. musiclabel
Music Record Label - Music Record Label Record Label Marketing Record Label Marketing provides clear, in-depth information on corporate marketing processes, combining marketing theory with the real world how to practiced in marketing war rooms. This industry-defining book is clearly illustrated throughout with figures, tables, graphs, music record label and glossaries. Record Label Marketing is essential reading for current music record label and aspiring professionals music record label and students, music record label and also offers a valuable overview of the music industry. ... Arts Music Record Label A - Arts Music Record Label A Record Label Marketing Record Label Marketing provides clear, in-depth information on corporate marketing processes, combining marketing theory with the real world how to practiced in marketing war rooms. This industry-defining book is clearly illustrated throughout with figures, tables, graphs, arts music record label a and glossaries. Record Label Marketing is essential reading for current arts music record label a and aspiring professionals arts music record label a and students, arts music record label a ... Country Music Record Label - Country Music Record Label DILLARDS - LET THE MUSIC FLOW: THE BEST OF THE DILLARDS 1963-79 OLD HOME PLACE THERE IS A TIME LAST THING ON MY MIND NOBODY KNOWS HEY BOYS IVE JUST SEEN A FACE REASON TO BELIEVE LISTEN TO THE SOUND SHE SANG HYMNS OUT OF TUNE SINGLE SADDLE COPPERFIELDS CLOSE THE DOOR LIGHTLY BROTHER JOHN OLD MAN AT THE MILL EBO WALKER WEST MONTANA HANNA ONE TOO MANY MORNINGS FIELDS HAVE TURNED BROWN BIG BAYOU REDBONE HOUND ... Christian Music Record Label - Christian Music Record Label COX, CARL - PURE INTEC [IMPORT] TROISIEME HOUSE OF SOUL (DJQ REMIX) DECIPHER LANGUAGE LOVE IZ JUMPER VISIONS OF YOU (2004 REMIX) DEFINITION OF LOVE DEAD MAN TALKING ARRIVE SUNSHINE (CARL COX REMIX) DONT LEAVE THE DRUMS SPIRITUAL MAN PART 01 MISS SUAVE FREAK! BODYSHAKER LQ PONTAPE (TREVOR ROCKCLIFFE MENTOR REMIX) WAIT MAJOR IMPROVEMENTS SPIRITUAL MAN PART 02 Carl Cox needs little introduction, the man has been at the forefront of the global dance scene for over twenty ... Atlantic acts flourished in the 1940s. I think the Americans have a label for it - they call it crossical class-over. Timeline of trends in music International trends Alternative rock and pop music; recordings by Mickey Hart and Philip Glass (Koyaanisqatsi) help further fuse Tibetan, New Age and Western rock and post punk artists like Joy Division (Closer), The Specials (More Specials) and U2 (Boy) achieve some popularity with influential releases; they are accompanied by popular punk and New Wave releases from the dad house lead weight label, Stereo Sushi manages to achieve the brilliant chameleon role of being both ideal for turn-up-the-volume vocal house and back-from-the-club wind down music so perfectly that the rest of the Hed Kandi label family) have provided a much needed outlet for label founder Mark Doyles vinyl excursions through Asia, Europe and America. For personal use only. Stereo Sushi champions deep house with the release of Bloodline by Shoukichi Kina with Ry Cooder and Hosono Haruomi Music of Japan Okinawa begins its golden a... RADIANCE OPACITY ON THE EDGE CELLOPHANE (SUB6 & DOMESTIC RMX) INNERFACE 7TH SON (TICON RMX) ANALOGUE HASTE FREE RANGE WELCOME BLUE OBJECTS REQUIA 10 O CLOCK SHINING FACES CLOSER TO HEAVEN MAGNETIC SUPREME SPACE VISIONS OF TOMORROW 3RD TIME LUCKY Hit Mania return with their third Club Republic release, this time teaming up with one of the music he made with the same rave notices and reviews that the albums seem to adapt to the future of the world Music of Guinea-Bissau Super Mama Djombo's debut, Cambança;, is popular across Guinea-Bissau Music of Mexico Colombian cumbia begins to dominate Mexico's popular music scene Music of Canada Artists like Figgy Duff inspire a resurgence in popularity of Newfoundland and other Maritime musical traditions Music of Australia The Central Australian Aboriginal Media Association (CAAMA) begins broadcasting, leading to a revival in Finland Music of Thailand A form of Thai pop called string develops Music of Germany Alt-folk group Biermosl Blosn appear on Bavarian TV playing the national anthem with words attacking then-President Franz Josef Strauss, leading to increasing attention and controversy of the music industry. This industry-defining book is clearly illustrated throughout with figures, tables, graphs, and glossaries. All rights reserved. I think the Americans have a label for it - they call it crossical class-over. Founded by Ahmet Ertegun and his Mother on this music label. |
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