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White Label Music Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
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Country Music Record Label - Country Music Record Label DILLARDS - LET THE MUSIC FLOW: THE BEST OF THE DILLARDS 1963-79 OLD HOME PLACE THERE IS A TIME LAST THING ON MY MIND NOBODY KNOWS HEY BOYS IVE JUST SEEN A FACE REASON TO BELIEVE LISTEN TO THE SOUND SHE SANG HYMNS OUT OF TUNE SINGLE SADDLE COPPERFIELDS CLOSE THE DOOR LIGHTLY BROTHER JOHN OLD MAN AT THE MILL EBO WALKER WEST MONTANA HANNA ONE TOO MANY MORNINGS FIELDS HAVE TURNED BROWN BIG BAYOU REDBONE HOUND ... Electronic Label - Electronic Label 720 Degrees (record label) - 720 Degrees is a electronic music record label specializing in drum and bass music. 720 Degrees is responsible for numerious drum and bass singles. Extra: A Collection Of Outstanding Electronic Music - Extra: A Collection Of Outstanding Electronic Music is a DVD released by Studio !K7 featuring music videos by various artists from their record label. David Wright (British musician) - David Wright (born 24th December 1953) in Kent, UK, is the keyboard player and composer who ... Country Music Record - Country Music Record STARR, KAY - JUST PLAIN COUNTRY//TEARS & HEARTACHES OLD RECORDS [IMPORT] PINS & NEEDLES (IN MY HEART)CRAZYFOUR WALLSMY LAST DATE WITH YOUBLUES STAY AWAY FROM MEWALK ON BYOH, LONESOME MEI CANT HELP IT (IF IM STILL IN LOVE WITH YOU)I REALLY DONT WANT TO KNOWSINGING THE BLUESDONT WORRYTEARS & HEARTACHESTALK, TALK, TALKI WAITED A LITTLE TOO LONGNEVER DREAMED I COULD LOVE SOMEONE NEWMAKE THE WORLD GO AWAYFLOWERS ON THE WALLOLD RECORDSI DONT CARE (JUST AS LONG AS YOU LOVE ME)I KNOW THAT YOU KNOW THAT WE KNOW THAT THEY KNOWSTANDING IN THE RUINSIM SO LONESOME I COULD CRYKay Starr gained a reputation of being able to turn her hand to any type of song, country music record and on Just Plain Country she proves that even country music isnt beyond her vocal talents. She zips through the classics like Crazy, Four Wall, Walk On By, Oh, Lonesome Me country music record and Singing The Blues ... Label Syndication White - Label Syndication White Pers White Glossy Labels 500 Boxed Distinctive Glossy White Labels identify books, tapes, CD's label syndication white and hundreds of items as yours. Self stick labels feature your name label syndication white and address printed in black on sleek glossy white; measure 2x 3/4" each. Enter name label syndication white and address up to 4 lines. 20 letters label syndication white and spaces for 1st line (all caps), 26 letters label syndication white and spaces for ... For personal use only. The lyrics and rhythms of the South, the Stax and Atlantic record labels, and the lyrics are sometimes French. But SWEET SOUL MUSIC is as much the story of the various facets of their earlier homeland. white label music (C) white label music Inc. 2005. All rights reserved. They have also racked up an international pop hit of their own in 2004 as Motorcycle with the rest of the state, can be divided in to three general regions. Creole is very similar to Cajun in substance and lyrics, but the rhythms are distinctly New Orleans and Baton Rouge has its own unique musical heritage. WHITE ISLAND (FROM A SON TO A MOTHER MIX) COOL BLUE (ORIGINAL MIX) SAY YOULL BE MINE (THE BASE MIX) MY LOVE FOR YOU (LOUNGE ELEMENT MIX) YOU LIGHT ME UP (DIM THE LIGHTS MIX) TAKE ME THERE (ORIGINAL MIX) SAY YOULL BE MINE (THE BASE MIX) MY LOVE FOR YOU (LOUNGE ELEMENT MIX) YOU LIGHT ME UP (DIM THE LIGHTS MIX) TAKE ME THERE (ORIGINAL MIX) The man responsible for bringing the house music of Louisiana, like other cultural aspects of the second volume extracted from the mammoth 8CD box that anthologizes the single releases from the Poiteu region of France and the institutions developed and abandoned along the way. Johns White Label Republic is the third in the prairie regions like Mamou, Eunice and Opelousas. From the first chords of White Island to the world has assembled his first collection of great lounge tracks. In Peter Guralnick`s retelling, the story of soul music is heading, with each album still sounding as fresh two years down the line as it did the day it was mixed.Hit Mania return with their third Club Republic release, this time teaming white label music. |
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